This album is dark, suspenseful, and thematic.
This album is full of attitude, groove, and melody. It includes a handful of previously released singles. The album is completely instrumental.
The Insomnia album is an ambient instrumental journey I made whilst struggling with insomnia. It is a mixture of electronic and orchestral elements, primarily transient and ambient. Enjoy.
Escape into your mind and drift through the Metaverse with this album as the soundtrack for your journey. Full of melodic surprises and expansive moments, this album provides memorable catharsis and ear candy. You will listen to this album over and over. There is a duality of tone to the melodies and energy on the record, embracing the evolution and necessity of blockchain technology with the same range of emotions a military force has the night before a conflict.
In terms of authentic artistic expression, this album demonstrates the style of writing and production I do most naturally if left to make my own decisions.
For this album, I just hit record and improvised on piano for about 45 minutes. I paused where it felt appropriate for track breaks and just played what I was feeling, with the assistance of a bottle of pinot noir. I then went back through and embellished where it made sense with orchestration and some synths to give it more texture and thread a mood throughout it. So the whole album is in one Logic session and is meant to be minimal and not over-produced. It is predominantly a solo piano record. The result is very listenable and mellow.
The album is available wherever you stream music and is available for sync.
With the exception of 2 tracks, I wrote all this material 17-20 years ago. This album is largely electronic and suitable for background music in commercials, promos, film, and TV.
This is a "Christmas Album" in the vein of scores like "Home Alone" and "Harry Potter". It veers more dramatic, as the title suggests, but it is full of delightful melodic surprises and playful orchestration.
This album comprises tracks I wrote from 2001 to 2005.
I was commissioned to write some hybrid film score by Sonoton, one of the largest music libraries in the world, back in 2007. The result was a collection of tracks that have been licensed consistently for the last 15+ years.
